The Cummings Twins
The Cummings Twins’ intention is to create phenomenological experiences, with an interest for the occult, mysticism, technology and zeitgeist. With a specific focus in Hermetic wisdom and Druidic practices, the subject of transcendence is critical to their work and its relationship to contemporary culture.
Mark and Paul Cumming’s intention is to create phenomenological experiences, with an interest for the occult, mysticism, technology and zeitgeist. With a specific focus in Hermetic wisdom and Druidic practices the subject of transcendence is critical to their work and its relationship to contemporary culture. They produce artworks namely sculptures and audio-visual performances too – being multidisciplinary they utilize any medium that suits the project best.
The Cummings twins still have technology as their mainstay but with maturity their work has flourished with a sense of spirit behind everything they do. Their current projects include ‘Polygondaydream’ that involves the creation of sculptures and also ‘The Mystery School of Sound’ that is a performance music piece relating to Hermeticism and the healing arts.
In 2006 after leaving university studying fine arts Mark and Paul Cummings headed straight for the heart of London settling a stone’s throw away from the Square Mile. They began a project that ran for about three years. Based in the epicenter of the city and immersed themselves in technology and urban culture. This was 10 years before digital Shoreditch and at the infancy of commercialized Internet; before this it was dominated by programmer geeks and not many artists had yet entered this realm.
This was before the noise of the Internet grew and they had a lot of exposure and quickly became renowned for making very intense videos and digital artworks. Photography, video, music, animation and programming were the main tools for the production of shorts, interactive pieces and installations.
They soon became a household name within the digital art scene at the time. They were known as digital Punks working under the pseudonym of AZ2Lab. Their work was showcased around the world in events and exhibitions such as Japan, South Korea, Argentina, Brazil, Germany, Italy, Spain, Poland and the UK to name a few and they were also very widely published.
This brought attention from the commercial world and they began producing work for Diesel, Nike, Deutsche Telecom and many other
international brands. All that was good came to an abrupt end - as they decided to leave advertising and push into the art world.
While still maintaining their digital heritage the twins started painting in earnest back to what they felt was traditional. Producing large-scale landscapes that covered the topic of politics and social critique.
Though seemingly hyperrealist there was always a computer involved at the starting point of the projects. The paintings were readily accepted into the national shows such as Mostyn Contemporary amongst others. The News Presenter John Snow chose the painting titled ‘Roadside’ for his own personal critique when the painting was shortlisted for the prestigious Threadneedle Prize 2010.
The Ram Equinox
There were a number of Gods of ancient Egypt associated with the ram, either having ram heads, or sometimes simply ram horns.
In particular Re as a ram headed deity surmounted by a sun disk, and Harmakhet, a variant of Horus, who was the God of the dawn and of the morning sun, who was depicted in the form of a sphinx or a sphinx with the head of a ram.
The spring equinox is a period of time when the hours of day equal the hours of night. Religious rituals are celebrated on sunrise of this day with the anticipation of the triumph of increasing days of light that are heralded by the month of Aries the Ram wherein the Sun is exalted.